Theatre is a shared craft—a living, breathing collaboration. But every so often, I feel the pull to leap into the unknown and reinvent myself.

A playground is basically the ultimate spot for play and creativity—where the only rule is to have fun,and the only limit is how far your imagination can stretch!

Theatre is a shared craft—a living, breathing collaboration. But every so often, I feel the pull to leap into the unknown and reinvent myself.

A playground is basically the ultimate spot for play and creativity—where the only rule is to have fun,and the only limit is how far your imagination can stretch!

Theatre is a shared craft—a living, breathing collaboration. But every so often, I feel the pull to leap into the unknown and reinvent myself.

A playground is basically the ultimate spot for play and creativity—where the only rule is to have fun,and the only limit is how far your imagination can stretch!

2025

Project 1 - WRITING

Writing is a new path – and it's starting to take up more space! In the spring of 2025, my text Brackish Water was presented as a staged reading at Teater Västmanland in Västerås. The piece is also available in a recorded version on DramaQueen, where it can be both watched and listened to.

Writing is a new path – and it's starting to take up more space! In the spring of 2025, my text Brackish Water was presented as a staged reading at Teater Västmanland in Västerås. The piece is also available in a recorded version on DramaQueen, where it can be both watched and listened to.

Bräckt vatten

Audio drama

mars 2025

Nina går hem till sin nyinflyttade mamma, men lägenheten står tom, bara spår efter nyårsfesten överallt. I väntan på att hennes mamma ska dyka upp minns Nina sin familjehistoria. Flytten från Finland, kampen att passa in i Sverige. Äventyrliga dagar på mammas arbete, det stora mentalsjukhuset med alla patienter att vårda. Men varför kommer äiti, mamma Anneli inte hem? Hon har väl inte kastat loss för en finlandskryssning igen? Ingenting stämmer. I berättelsen Bräckt vatten, får vi följa en kvinnas tankar om det svenskfinska arvet och vad som finns kvar när alla gått hem.

I rollen som Nina: Tiffany Kronlöf Konstnärlig ledning: Rebecca Örtman Ljud: Peter Hägerås Kamera: Daniel Wigstrand och Peter Sydén. Musik: Daniel Wigstrand. Producent: Peter Sydén Med stöd av Region Västmanland och Längmanska kulturfonden.

Monologen Bräckt vatten berör frågor om klass, språk och identitet. Den rör sig i gränslandet för de ordlösa minnet kring uppbrott. Sverigefinnarna är den till antalet största av de nationella minoriteterna. Cirka 700 000 personer i Sverige beräknas ha anknytning till det finska språket och kulturen.

Text Annika Bromberg

Dramaturg Rebecca Ortman

Skådespelar Tiffany Klonblöf

2026

Project 2 - PUPPETRY

I’ve fallen in love with something new: puppetry. Not just as objects or tools, but as soulful storytellers. I’m exploring how puppets can become vessels of emotion, memory, and imagination—carriers of stories that blur the line between the real and the unreal.

I just finished writing a play for children in middle school—an adventure told through the hands and hearts of puppets. A world where dreams and reality twist together like strands of smoke. It’ was thrilling, unpredictable... and still becoming. The premiere took place at Uusi Teatteri in Stockholm, spring 2026.

What´s next!